Category Archives: NIKON LENS

The following list of Nikon F-mount lenses with integrated autofocus motor includes only Nikon F-mountlenses which fully autofocus in all modes of all Nikon …

Nikon AF-S Nikkor 16-35mm 1:4G ED VR lens review

Only G and D lenses will transfer attention distance information to the camera , and that is helpful for flash drives, amongst other things.Nikon also made lenses together with the kind of IX. These lenses were designed for the Pronea series of cameras, which use the Advanced Photo System format film. They cannot be employed on 35mm film or digital bodies, so just ignore them unless you have a Nikon Pronea.Every once in a while, I get asked why some lenses are a lot more expensive in comparison to others. Interestingly, this question stems from both beginners and advanced photographers, but in various contexts. Beginners wish to know why pro-level lenses are a lot more costly than consumer lenses, while educated photographers wonder about what makes niche/exotic lenses from companies like Zeiss and Leica much more expensive than modern professional lenses. These are all interesting and legitimate questions, so I thought writing a couple of articles to try to answer these queries would be helpful for our subscribers. In this article, I would like to answer the very first beginner question on what makes specialist lenses expensive.The main differentiating factor between the above mentioned categories isn’t necessarily price. Features, caliber, autofocus motor, dimensions, optical attributes and price are what cumulatively divides one lens out of another. Some lenses are sold at a cheap price simply due to their age, however it doesn’t mean that they move to a different class.
Consequently, it’s often not a good idea to prevent down a lot of. One option is to use a concentrate stacking technique, in which you take a series of pictures focused at various points and then use post-processing software to unite those pictures. But, concentrate stacking only works well if your landscape is very still and not one of these things are moving, so wind and immediate changes in ambient lighting can spoil the result.By using a tilt/shift lens, so you can tilt the attention plane in this way that you could bring the whole scene in excellent focus even at large aperture values. The lens physically tilts up, down, left and right to give you complete control over depth of field. There are several potential problems with using this lens. First, it’s a manual focus lens. Secondly, it is a fixed focal length lens, which means that you will have to move around to write your shot. Third, it only correctly fits pro-level DSLRs such as Nikon D700 and Nikon D3s and has restricted movement on smaller DSLRs. And finally, it is not a simple lens to use and you will have to understand how to correctly utilize the tilt/shift capacity and compute depth of field based on the tilt place. As soon as you master this particular lens, it is not easy to find anything else which could conquer it. Needless to say, its sharpness, contrast and colors are top notch.If you’re looking for the sharpest lens Nikon has ever created, check out the Nikon 24mm f/1.4G — it is virtually perfect concerning optical performance.
Its front part form and the built-in lens hood only make it impossible to use filters. Sure, you can buy a filter holder system from Lee along with other manufacturers for this particular lens to accommodate filters, however it is not cheap and you may need to obtain a pair of big 150mm filters, so forget about using the existing filters. I really want Nikon enabled us to utilize little replaceable filters close to the lens mount, just like on telephoto lenses and this lens would have been irreplaceable.If you don’t heavily rely on various filters like that I do, then you will never be let down with this particular lens — yes, it is that good. If ability to utilize filters is essential, the only other full-frame lens from Nikon I would consider are the Nikon 16-35mm f/4 VR lens (view my Nikon 16-35mm VR Inspection ). If you are a DX shot, then the Nikon 12-24mm f/4 is superb.Year after year, the Nikon 24-70mm f/2.8G has been my #1 used workhorse lens for landscape photography. While its performance isn’t quite as striking as on the Nikon 14-24mm f/2.8G, particularly in the corners in large apertures, it just has to be stopped down to f/5.6 and smaller to unveil its true performance. It has a light fast AF, amazing color rendering, extremely useful zoom range on full-frame cameras and it carries filters! But similar to this 14-24mm it also includes a couple of problems — it is bulky, heavy, expensive and does not have any VR.
So what does this mean to me and why did I bother writing an article on something we photographers should instinctively know by now? It is evident that newer lenses produce better photographs. It’s obvious but I believe we may sometimes loose just a little perspective on this’better’ scale.Take the vintage 43-86mm lens, remember that is reputed to be the’worst’ Nikon lens ever, this lens is older than many of its owners to place it into perspective, 1 year before this lens came into market audio tapes were invented. That is crazy, you would expect a lens that’s dubbed as the worst lens and made at one time before pocket calculators that it would be like shooting via an old sock! It just isn’t. Yes it is soft, yes it’s blurry at the edges, yes it flares in the highlights but it’s still useable and frankly a shot taken with this lens and displayed from the most common format of our creation i.e. our telephones, nobody would ever know.Ok thus lets fast forward almost half a century and see what Nikon is up to now. The older 28-105mm lens I’ve been using for more than ten decades and obtained literally tens of thousands of frames without incident, service or repair, how did those pictures compare? Pretty damn good in my opinion, yes its a’old’ lens but I have shot commercial tasks on it to get my entire career. It has images are in books, magazines, Adshels, posters and nearly every other printed media out there and I have never once thought’oh that’s a little soft/flat/distorted’. read more

Nikkor DX kit lens group test: 18-55mm vs 18-70mm vs 18-135mm vs 18-200mm VR

Nikkor kit lens group test introduction

If you’re in the market for a new Nikon DSLR, you’ll have the choice of buying it as a body alone or with a bundled kit lens. Kit lenses are traditionally budget models with 3x optical zoom ranges designed to get you started, and while Nikon sells such a lens, it also offers several alternatives with longer optical ranges and extra features. Many camera stores additionally offer the choice of buying a Nikon body bundled with a higher-end lens. read more

Nikkor AF-S DX VR 55-200mm f/4-5.6 G ED

Nikkor DX 55-200mm VR introduction

The Nikkor DX 55-200mm VR is an entry-level telephoto zoom for DX-format Nikon DSLRs. Launched alongside the Nikon D40x in March 2007, it’s designed to complement the standard DX 18-55mm kit lens and extend the maximum equivalent coverage from 83 to 300mm. This makes it ideal for portraits, wildlife and sports photography, while the shorter end remains practical for many day to day shots. read more

Nikkor AF-S DX 16-85mm f/3.5-5.6G ED VR


Nikkor DX 16-85mm VR intro

The Nikkor DX 16-85mm VR was announced in January 2008 alongside the D60 DSLR. It equips all DX format bodies with a general-purpose range that’s equivalent to 24-128mm, making it an ideal walk-around lens with wider coverage than most kit lenses. read more

Nikkor AF-S 35mm f/1.4G

Nikon Nikkor AF-S 35mm f/1.4G review

The Nikkor AF-S 35mm f/1.4G was announced September 2010 as the last prime to complete the updated series of 24mm, 50mm, and 85mm f/1.4 models in Nikon’s line-up. read more

Nikkor AF-S VR 70-300mm f/4.5-5.6 G IF-ED


Nikkor 70-300mm VR introduction

The Nikkor 70-300mm VR is a high performance telephoto zoom designed for use on all Nikon’s SLRs, be they digital or film models. Launched alongside the Nikon D80 in August 2006, it perfectly complements the DX 18-70mm, matching the superior build and optical quality of this up-market kit lens, and extending its focal range without interruption. read more

Nikkor AF-S DX 18-55mm f/3.5-5.6 G VR


Nikkor DX 18-55mm VR intro

The Nikkor DX 18-55mm VR was announced in November 2007 as the company’s latest budget kit lens. It will work on any Nikon DX format DSLR, although is best-suited to the entry-level models like the D40, D40x and D60. The lens has become a standard bundle option for the D60 but is also available separately for anyone who wants an affordable stabilised lens for their Nikon DX body. read more

Nikkor AF-S DX 18-200mm f/3.5-5.6 G ED VR II

 


Nikkor DX 18-200mm VR II lens review

The Nikkor DX 18-200mm VR II is an 11.1x super-zoom lens designed for Nikon’s range of DX format DSLRs. Announced in July 2009, it’s the update to one of the most popular lenses for the Nikon system, now equipping it with better protection against zoom creep, where the lens barrel can inadvertently extend or retract under its own weight. read more